watervole: (Default)
 

The Morris Federation have been producing a series of short videos for many of their members.  The aim is to get as many shares as possible, in order to boost the number of people reached.

 

So, here's the short video for Southern Star Longsword.  We're a small, friendly team, who welcome men, women and children. We meet in Corfe Mullen on Monday evening.  We're especially keen to recruit new musicians at present.

We perform English longsword dances (no connection to Scottish sword dancing), and write many of our own dances.  Our latest dance - sadly, no decent video as yet - is danced to 'The Wellerman'.

Exhaustion

Jun. 22nd, 2025 01:08 pm
watervole: (Default)

 I'm drained.

Yesterday was Folk on the Quay, a local event in Poole, which I always like to support.

But they had fewer dance teams this year (not certain why, I think they probably wanted more).  

I was calling maypole in the morning for  an hour, but fortunately it was a bit bleak and threatening rain.

I managed to keep it active for the whole hour, but I started with two people and ended with eight - which is way below what I was hoping for.

But, on the plus side, at least (thanks to Covid and social isolation) I know maypole dances for groups as small as two!

Did a nice plait for four - who got it perfect. 

Variations on other dances, managed to get away without repeating anything, and everyone seemed to enjoy it.

But after that, I was dancing with my longsword team as well as Anonymous Morris - never got a break for lunch and was starting to make mistakes in the morris dances.

And I had a bit of trouble with my leg muscles before the day started....

However, I think I'm gradually recovering - Sunday evening now :)

And it's time to book a physio appointment to sort those damn leg muscles out.


But we did manage to perform our new dance. 

(Our youngest dancer has only been introduced to the back-to-back move about an hour earlier, but luckily she's a fast learner.) 

The music glitched, which threw out our timing on the final hey, but surprisingly, I'm still quite pleased with the result. It needs some polish, but for first time out, and with several changes to the figured in the last few weeks, not too bad. (I realised dancers were having trouble with transitions between some of the moves, so making changes made the transitions easier)

 





 



watervole: (Default)

 Just back from several days a Chippenham Folk  Festival. Shattered, but had a good time.

Two days before the festival, the lady who was to be calling the maypole and doing the children's morris had to go into hospital (she should be fine, nothing too serious).  

So, I got asked to take it over at short notice.

Fortunately, the original musician was still able to make it, and proved to be the best person I've ever worked with for maypole. He never had to be asked to speed up or slow down, he automatically matched the best pace for the dancers and played a bar or two extra slowly when a small child needed to cross the dance set.

It was good, especially as having a lot of adults in the set allowed me to use a greater range of dances.

We did (my granddaughter and I) an entry for Southern Star Longsword in the annual Chippenham 'Stick and Bucket' competition.  As Southern Star was founded because of a Discworld convention, we had to enter...

Only having two dancers present did not deter us in the least.  We took spare swords and buckets and trained a scratch team.  One of the team had a mere 10 mins practice before the performance!

Here's the performance - Southern Star are 5 mins into the video, but you can watch all the teams entering.  

The man in the orangutan outfit is my husband, Richard.  That's his collection costume for fesivals - he's a Pratchett fan as well...

 

 

 

 

 

 

Bouffons

Jun. 10th, 2024 10:39 am
watervole: (Default)

 Bouffons is the oldest dance in our repertoire.  We do several sword dances that are old in style, but no dances more than 100 years old have much detail recorded.  And ones more recent than that are rarely recorded in enough detail to get the nuances correct (and sometimes those nuances can make a serious difference to how well the dance works.

Bouffons is different. It was  published in Orchestography, by the Frenchman Thoinot Arbeau, published in 1589.  (Dancing masters taught dances to the well-off to dance/perform at balls, social occasions, and the like)

Every single step and turn of the dance is given in full detail. The music is given, the stepping is described and the detail is exhausting!  It took us a long time to master the first figure of the dance.  You have to spin round and hit the swords of other dancers in a complex sequence.

But we made it in the end :)

Here's an excellent video of Southern Star Longsword dancing Bouffons at Wessex Folk Festival.


I still can't believe we did it this fast!




Video filmed by Brian Kelly
watervole: (Default)

 See this video from Wessex folk Festival last weekend.

See if you can spot me (it should be pretty easy) dancing with both Anonymous Morris and Southern Star.  You also get to see some of those waistcoats I've spent so much time sewing.

I think this was the best performance Southern Star Longsword have every done, and the clip is of the best part of that!

 

 

watervole: (Default)

 I've been doing a lot of sewing recently.  A LOT of sewing...

#SouthernStarLongsword realised that we didn't show up very well in videos.  The fronts of our waistcoats were fine - lots of different patterns and colours, but anyone with the dark back facing the camera, was almost invisible.

So, we went for a new set of waistcoats.  I had a batch of yellow cotton fabric that I'd got from the Dorset scrapstore.  Quite  a large piece.  We're using it to make new backs, and one of the team is printing the team logo on the backs.

The bit that throws me out now and again is not just different sizes (the pattern proves easy to adapt, but I'm actually poor at guessing how much bigger to make it, even after measuring.  That's partly because hip circumference turns out to be key to waistcoat sizes, and initially, I was working on chest measurements.

 

Also,  seam allowances are the devil.  I'm using bias binding to finish some of the edges (particularly the arm holes on the yellow back) and this needs a smaller seam allowance than when I'm joining two pieces of fabric.

Some of the waistcoat fronts are in heavy fabrics and some in lighter weights.  The thinner fabrics are made as a double layer.  You take the left side of the waistcoat and the inside liner  of the left side. Sew the two pieces of fabric right side touching right side (with a large gap in one seam). Then turn the whole thing inside out (called 'bagging out') and iron it.  Voila!  hidden seams and neat edges on all sides.

With heavier fabrics, a double layer of fabric would be too much. So, I finish those edges with either bias binding, or facings.  But remembering which waistcoats to cut with narrow seam allowances (for bias binding) and which to do with the wider seam allowances, especially when different edges of a single piece of fabric may need different seam allowances...

Let's say that I occasionally get it wrong, but have managed to salvage the situations so far.

But the next waistcoat on the list is a silk brocade (gorgeous to look at) and there's only just enough to be able to get two waistcoat fronts out of it... Any mistakes and there's no recovery options at all.  I'm going to make very sure I'm awake on the day I cut that one out!

Here's two of us in the new waistcoats. You can see how much difference it makes to the video.

 

 

 

 

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 Two years ago, Southern Star Longsword had five members over the age of 60, one around 50 and two in their late thirties, plus one child.

Now, we have four members under 15, three over 60, plus three in the 30-45 bracket.
 

That's a major demographic shift! 

We lost the two oldest and gained three more youngsters.  Most morris teams (although not Anonymous) are heading in the opposite direction as their members grow older.

It's mostly good luck, but it did help having Oswin (my granddaughter) as that starting child.  Our latest recruit is her best friend at school, who has been regaled with tales of how much fun sword dancing is.  Said friend has been to two practice sessions now and seems to be having a whale of a time!

I'm looking forward to this year's festivals. I predict fun herding cats, but also enjoying watching the young ones dancing.
watervole: (Morris naked)

 Here's my two favourite photos from Wimborne Folk Festival last weekend.

I apologise in advance for any photo size problems.  Dreamwidth really does not cope well with photos from other sites... (and I'm too sore to spend ages working out how to get them to fit)

 

My granddaughter (the little one) and Jackie from my sword dance team in the Festival procession.

May be an image of 2 people, people standing and indoor

Fran from Anonymous Morris casting Avada Kedavra.


watervole: (Default)

 I belong a sword dance group and a morris team, as some of you will already know.

I think it will be a while yet before Anonymous Morris resume practice - they're a large team, and not all of them are keen on practicing outdoors.

Southern Star Longsword are in a better place than most.  Three of our members are in the same household, and we have a three man dance, so when the rule of six allowed, we practiced in a cul de sac our socially distanced  musicians were able to play for them.

Then we added Bouffons to our repertoire -a 16th century matachine dance (a form of sword dance) for four  in which the dancers are conveniently 2m apart.

We've booked random local halls when allowed to practice indoors, even resorting to maypole dancing at one point as a way of keeping apart from each other (maypole for four requires creative choreography!)

So, we've been able to practice legally  for a fair part of lockdown.

Now, from Monday, we can practice round the back of our local pub (which we often do in the summer months), and we're thinking about recruiting new members...  We've only got five regular dancers (number 6 is highly vulnerable and wants to continue shielding for now) and two of us have doubled up as musicians during lockdown as our normal musician is also shielding.

We're planning a three fold campaign. We've started on Facebook, and with luck, several new people might come along on Monday to see what we're like.  (I shall hope for two, as more people always express interest than actually follow through)  The local community group has proved a good place to post.  

This is the key photo we're using.

 

 

Experience tells me that women will join a team with men, but men are less more likely to join a team that's mostly women.

Rowan's our only bloke, as well as probably being the youngest,, so he gets to be on the publicity.  (The whole team are okay with this - we know the psychology - and besides, he's Squire and his mum and sister are also in the team.)

Also, he looks like he's enjoying himself, and he's holding a sword lock, and it's a good, clear photo.

Buffons

Jun. 11th, 2020 02:04 pm
watervole: (Default)
 Here are Southern Star (spaced out carefully with chalk) in an actual live practice.
This is the second week we've tried this particular dance and it's coming together now.
We'll work on adding the correct stepping next week, and then we'll add the later moves of the dance. The first one is by far the trickiest.


watervole: (Default)

First practice of Southern Star's 'social distance' dance.  Note the chalk marks.

Did we do well?  Nope.  But we had a lot of fun and got the whole first figure correct at least 10% of the time :)


 Picture
watervole: (Default)
 Southern Star are going to have their first practice since lockdown began.  On Monday evening, in my cul de sac.

Because six people are allowed to meet as long as they don't come closer than 2m. And we can do that, with one, and only one dance.  (and by missing out some of the moves...)


Bouffons, as it is usually known, is an odd animal.  It's a matachine dance from France in the 16th century, and the only one of its kind to have come down to us in any detail.  In 1589, a book called Orchesography was written by man using the pseudonym of Thoinot Arbeau.  This gives a complete step by step description of the dance and also provides the music.  
Matachine dances are the most likely ancestor of English morris dances with sticks (morris dances without sticks came centuries before the dances with sticks).
Although they use swords, matachine dances don't have any connection to longsword dancing.  Longsword is equally old, but is a linked sword dance.

If you watch, you'll see the distancing, particularly on the initial figure, which is the one we're learning. Miss out the shoulder pass and it's perfect.

It's a lot harder than it looks. Memorising the sequence of moves took some time.  We've been practising it during lockdown over zoom.  Three of our dancers live in one house, so they had it easy.  They just tapped the kettle on the kitchen table when striking swords with the fourth dancer.  Trudy managed to use her daughter to act as one person, but had problem with the turns as there was no one beside her. Sue was all on her own, but did surprising well.

I've got it off pat (I think), but I'm the one who went back to source for the choreography and music, so I had to learn it to be able to write it down for the others.  If anyone is mad enough to want the notation, it's on 
http://www.southernstarlongsword.co.uk/

Some of us can do the stepping, which is harder than it looks. But it will be a long time before we can do stepping and sword moves at the same time. Trust me on that.  It's much more difficult than you think. Try it!

Longsword is easier, it's mostly a walking or running step (though the moves are just as complex).



sword lock

Sep. 4th, 2019 06:48 pm
watervole: (Default)
This should be a really good photo of me holding a sword lock - you'll have to use  the link as it's too much hassle to copy the photo....

Photo by Stephen Jones, who really knows how to use careful choice of background to enhance a photo.

 scontent-lht6-1.xx.fbcdn.net/v/t1.0-9/68943447_2312340919015675_1354745509654298624_n.jpg
watervole: (Default)
 The longsword team have new kit - we've changed to waistcoats rather than sashes, and I think it looks a lot smarter.



I'm trying to use Dreamwidth's photo hosting service, but it's pretty clunky and doesn't even resize pictures automatically.  It took several attempts to get this one to look right.


I love DW, but it's not very good with images.

The one below is copied from Facebook rather than via DW's hosting.  Less hassle and better sizing...





watervole: (Default)
 One of the things that bedevils morris teams is trying to recruit younger members.   The older teams get, the harder it is to recruit younger dancers.  The more women you have in a team, the harder it can become to recruit men.

The converse does not apply as strongly. It's easy to get older people to join a younger team. Women are more likely to join a predominately male team.

Around seven years ago, Anonymous Morris did a workshop with a local scout group.  It gained them a 12 year old recruit, who has grown as the team has grown, is now over 6ft tall and one of our best dancers. He recently recruited his girlfriend and she's a really good dancer too.

It looks like Southern Star may have pulled it off too. Fingers crossed.

A couple of weeks ago, we did a longsword workshop with a scout group.  We sorted the children into groups based on height (swords dances are both easier and safer when dancers in the same set are similar in height) and asked them to choose their own 'number 1'. Number 1 leads the dancers and calls the figures.

Half way through the evening, I over-rode their choice and appointed a new number 1.  It wasn't that the original boy was particularly bad, just that the new boy was significantly better. He was already calling out most of the moves, had a really good sense of position and obviously had a good visualisation of the overall dance in his head. (the group, including the former leader, were perfectly happy with this decision).

At the end of the evening, I handed out leaflets for Southern Star to all the most promising dancers and had a chat with W in particular. Turned out that he lived in Corfe Mullen...

I made it clear that he would be very welcome indeed if he did choose to join us.  

After that you just have to cross your fingers.

He didn't turn up for the two weeks after the workshop, and I'd decided that our luck wasn't in, but last night, he appeared!

Learnt everything with the speed of greased lightening, seemed to really enjoy himself and says he may bring a friend next week!

Yea!  Even teams led by ladies of age 60 can occasionally gain youngsters.  Sometimes, the dance is good enough, and the enthusiasm infectious enough to work the magic.

W is a natural.  Not one of life's extroverts, but has a sense of position that is essential for sword dancing.  He also listens and remembers.  (not familiar with the terms clockwise and anti-clockwise -but that's digital time for you - I have to remember to say right and left turn, rather than clock and a/c)

It helps that we now have four regular experienced dancers.  It's much, much easier to learn sword dancing when you have experienced dancers in the set.  As you all hold the end of someone else's sword, they can help draw you in the correct direction.  When we started out a couple of years ago, no one except myself had any experience of sword dancing and it could take ages to get a single move correct. Now, we all learn a lot faster.

So, here's hoping W is back next week!

I have a six man dance from the tradition that I'd love to try, but that will have to wait until we have eight active members.  Two of our existing members aren't flexible enough around the knees to do fast over the sword moves while rotating the circle at the same time.  For the time being, I'll teach our 3 and four man dances and look for traditional six man figures that don't involve going over the swords.
watervole: (Default)
 In the Basque country, the term 'sword dance' includes a wide range of things.

This one is done with brooms and is very different in style, but I would still regard it as part of the sword dance family.


Fingers crossed for the embed code to work...

If you can't see anything, go here dantzan.eus/bideoak/ezpalak-2006-sarian-zunzun-beasain

watervole: (Default)
 Another of my sanity breaks is my longsword dancing.

This is Southern Star Longsword in their first dance out of the year, performing our unique dance for three dancers (longsword normally needs six dancers). We're a very small team...

I present (missing the end and the rather pretty lock that you don't get to see), the dance called 'Three Legged Horse'.


In longsword, unlike most other traditional dances, a 'figure' is the bit between the start and a sword lock, so contains several types of move.

We invented many of the moves, though some are adapted from dances for six.

For those who don't know me, I'm the one with the purple sash.

watervole: (Default)
On my birthday, my family and I started playing around with my longswords.  I set my husband and daughter a challenge to see how many locks they could find using six swords.  In the process, they invented one new one and created an improved version of one that I've seen in a book.  Here's some of what we came up with. 

This is the Mohr lock - I learnt it from an American Rapper dancer





Black Joker lock (or you can call it a farm gate if you prefer.) This is a more rigid version of a known lock.

I found a good way of making it quickly, too.



Lindsey's lock. She found this one that I hadn't seen before.



Richard's Yacht lock.  This may actually be one that nobody else had before.



If you want to play yourselves, just cut out some strips of cardboard from a cereal packet or similar, and interweave them.

You'll probably manage to fins the six pointed start before long, but there are others, as well, that I've not shown here...





watervole: (Default)
 If anyone would like to see a wide selection of longsword dances, try my Pinterest page -https://uk.pinterest.com/judithproctor/longsword-dances/

Some are picked because they are good examples from other countries, some show details of a move that is almost impossible to understand from a written description, some are old traditional dances and some are excellent modern ones.
watervole: (Default)
My fledgling longsword team is slowly gaining people.  We have two figures of one dance and one figure of a second dance at a reasonable level now.   (a 'figure' in longsword is equivalent to a whole dance in any other tradition)

Southern Star Longsword dancing 'Yorkshire Pudding' at Wimborne Model Town.  this was the first public performance for many of the side, and only the second time out for the rest of us.  This is a dance I wrote for the days when we only have four dancers.  (We had six on this occasion, but I didn't keep the video of the six man dance as it had several mistakes in it!)  



watervole: (Default)
 Good longsword session last night in spite of my voice being crap.

My possible new dancer did show up and she enjoyed herself.

Even better, her daughter did too.  Not dancing, but sitting down reading the library books. Her daughter has Down's Syndrome, but she was in her element sitting in the children's corner with all the picture books.

In spite of the usual problems of being a small group (the odds of being below critical numbers are high, as it only needs a few people to fall ill...) we managed to work on the new four man dance I'm writing - now called 'Yorkshire Pudding' -and progress further  on Lingdale - a traditional 6 man dance.

It's starting to come together, but once people master the basic moves it becomes important to work on the timing and that's where we still need to improve.

Not sure if any of you will be at Redemption this weekend, but if you are, come and join in the longsword workshop!
watervole: (Default)
 Two asthma attacks in a couple of weeks and the medication is sending my voice into the pits. Which is unfortunate as I'm teaching longsword tonight and doing  a couple of dance workshops at Redemption this weekend.

Still, dance teaching is one of the few things I'm willing to do even when my voice is shot to pieces.  Though it would be easier if I could persuade someone else to call the count when people are learning figures.

It's all about getting the feet to fit the music.  There's 16 beats in a lot of the tunes and each person's moves have to fit in with that pattern.

Left, right, left, right, hop on right, left foot over sword, hop on left, right.  

That's one person going over the sword in their left hand, starting outside the circle and stepping into it (lifting their own sword over their head and turning clockwise as they go).

That's 6 steps in total, so 6 dancers will do it exactly in 3 passes through the music. (three verses of Bobby Shafto in this case)

It's also a lot of calling, as they have problems getting the steps right on new moves unless I call them.

But, there's an outside chance we might have a new dancer tonight, so no way am I going to cancel!
watervole: (Default)
 I've been very busy the last few weeks sorting out dance notation for Southern Star Longsword.

We're learning a dance originating from the village of Lingdale in Yorkshire and I'm gradually, with help from other longsword dancers, finding more records of early performances of the dances.  It's an interesting and time-consuming project understanding what all the different writers were referring to. Some like Roy Dommett were so detailed that you have to work out what they meant by:

Over Neighbour's Sword
Each man takes 8 steps, 4 bars. The man in front lowers his sword almost to ground level.

Stepping:

l r/l r/hr l/hl r//

 

Left foot over first. Half turn to face back, completed as left foot goes over, completing turn that man raises his own sword and ½ turn anti-clockwise under it to face back, hop over, getting straight by raising neighbour's sword, which helps next man to turn ready to go over. 

Whereas others are very brief and just say 

OVER YOUR NEIGHBOURS SWORD: Right arm overhead first, then turn to left from inside outwards: left hop/ right hop.

Those two are actually the same figure...

All in all, I prefer the first version, but I freely admit that it took me a couple of days to fully understand his notation system.  Once I know the figure, the second is sufficient, but if you don't know it, then the detail really helps.

Because I'm finding Dommett's notes so useful, I'm retyping them. They were written around 1970 and have circulated in ever fainter photocopies since that time.  It's a fairly major job as there's about fifty pages of dance history and notations, but I'm making progress.  We started with an OCR file, but some of it came out looking like this:

"4gJ>+e;

-L,-~ 1/M t.,§v~¢1 ‘-vi-o r-f\~\~7

Ll P 4;“ K-»G\j~4- c£-~=c

32 .

2° ;*

Q

so I'm using the OCR where I can read it, and just doing the rest from scratch.

It's actually quite relaxing, as long as I don't over do it and trigger the RSI.

Dancing

Oct. 17th, 2016 10:00 pm
watervole: (Default)
 There's nothing like dancing for the soul.

 I can be all stressed and twitchy, and after two hours longsword practice I'm at peace with the entire world.

Southern Star are only just large enough to survive as a side, but I think we're going to make it.  We're a mixed ability bunch to say the least, but the dances are starting to flow.  We're moving with the music now and that's making a big difference.

The timing in longsword has to be a bit intuitive -in morris, if you make a mistake, you just nip back into the correct position. That's not possible in longsword, you have to find ways for the group to get back in sync with the music.  After a while, you realise that at least some of the moves in traditional longsword dances are designed to give a bit of catch up time.  Moves that can be a bit variable in length are often followed by  simple circle moves that can soak up time until a new phrase of  the music begins.
watervole: (Default)
 Southern Star were practicing this evening when we found a group of local teenagers having a fag break from the rain under the porch of the library.

So, as one does, we invited them in to watch us practice our dance.

When they were impressed by that, I gave three of them swords (the 4th one decided just to watch) and proceeded (as one does) to teach them the dance. They picked up really quickly and greatly enjoyed it.  I think there's a fighting chance we might see one of two of them again. I hope so. They were a nice group of kids and have real potential as dancers.

I was amused near the end when one of them commented how much energy I had. I'm three times her age and this was a dance done at a brisk walk.   It really is nothing on the energy front.

Last week, I was on the canals, running between locks in a flight, winding stiff paddle gear and pushing open heavy lock gates. Now, that requires energy!  (and I'm aware that I can't run long distances without slowing down for a break now and then.)

Take up morris dancing and  retain the illusion of staying young and fit...

Longsword

Sep. 10th, 2016 04:46 pm
watervole: (Default)
 I'm having general fun with longsword related stuff.

I did four informal longsword workshops at Discworld and people really enjoyed them.

I'm getting a lot better at teaching the dances now. Once upon a time, I would probably have gone into great detail, telling people where they had to move, and the steps they should take, and which way they should turn at the end of the move. In a typical longsword dance, there are 6 people and each of them will be taking different actions.
 
Now, my typical approach is to give everybody a sword, get them to stand in a straight line behind me, say: "Follow me and do what I do."
 
This usually gets everyone through the first four moves of the dance without any difficulty at all. The more complicated moves, such as a double under, can often be tackled by saying: "You two make an arch; Julie and I will go under it. When you get to the other side, turn round and come back again. Steve follow Julie, Jennifer follow me."
 
This works 9 times out of 10. People instinctively turn in the correct direction, even when they've never done a sword dance in their lives. Sometimes, giving too much detail can actually confuse people.
 
The detailed instructions for double under come to several paragraphs and can be surprisingly difficult to understand.
 
Longsword, possibly more than any other kind of dance, is easiest to learn by actually doing it. And it's more fun that way.
watervole: (Default)
 The local paper did a short article about my Sword dance group

watervole: (Default)
 Here's the first picture of Southern Star longsword.

Photo:


I know we'll often have different numbers of dancers, so I'm working on sword locks for different numbers of dancers.  This is a sword lock for four (in fact the only possible lock for four - anything else would fall apart).

You can see two more photos (including a six man lock) on the Southern Star Longsword website along with pictures of longsword dancers in Lingdale, Yorkshire in the 1960s.


watervole: (Default)
 One of the things I've wanted to do for the last few years is to start a longsword dance group.

A couple of weeks ago, I realised that if I didn't do it soon, I'd get too old to be able to do it at all.

So, I've taken the plunge. Southern Star Longsword will meet at our local library on Monday evenings.

I'd write more, but I'm knee deep in sorting out insurance, publicity, bank account, etc.

Even if the team doesn't get enough members to be viable, all these things still need to be done.

And, I also know from experience (getting Anonymous Morris started) that if you have the faith to do all these things and publicise and dance at every possible opportunity, then the odds are greatly increased that you will get your team off the ground.

I'm also on the committee for next year's Wimborne Minster Folk Festival, so getting seriously busy with that as well.
watervole: (Default)
 I believe in fast longsword, but this group take it to a new level (so fast that one of them actually trips over a sword at one point).

I've never heard applause for 'over your own' before.  Too many people do it like a slow, mechanical dirge.  (I had the chance once to teach the move to a group that normally did rapper, and after half a dozen tries they got it to a reasonable speed and flow - rapper is related to longsword and is typically done much faster)

It's really interesting to see longsword danced at rapper speed.


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Judith Proctor

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