watervole: (Default)

 As some of you may know, I've gotten involved in English Civil War Re-enactment.  It's an interesting period, and social history is interesting in almost any era.


At the moment, I'm making myself a proper costume.  Hand-sewing it all - which is an interesting experience in its own right - and using authentic materials as far as possible. ie. Wool linen, period fastenings, etc.


I'm currently having fun with coifs. Coifs are what women wore on their heads in this era. Part practicality - kept all the wood smoke out of your hair, and added a bit of warmth in the little ice age. Part fashion, and, possibly, part modesty. (there's a biblical thing about women keeping their hair covered in church and Bible reading was getting quite wide-spread at this time)

 

I've got patterns from several sources, and my friend Pat let me take some photos from one of her books, and there some good stuff on the Marquis of Winchester's site (they’re a regiment of the English Civil War Sociey - http://www.marquisofwinchesters.co.uk/living-history-guide-coifs-and-hair/, and Pat's blog https://costumehistorian.blogspot.com/search/label/coifs

 


 

I decided to start with some scrap fabric to see which style of coif I liked - gradually altering the fabric, gathering it in different places, etc.

I learnt a surprising amount from the things I did with bits of old sheet!


Quite revealing.  I now know why some of the patterns have curvy edges round the face.

 

I thought originally the curvy edge was just to look pretty, but if you cut the edge straight, you lose quite a bit of sideways vision. The curve solves that, dipping back close to the eyes.


 

The coif was often worn with a forehead cloth - rather like a very broad Alice band that covers the bottom of the hairline.

At first I though they were an extreme form of modesty, but having played aound making and wearing a couple, another reason jumps out at me - the coif stays on much better if you have a forehead cloth.  (even without pins, it makes a big difference, the pins make it even more secure).  Who knows, maybe women only wore forehead cloths if it was windy? (lots of art shows women with just the coif).


And the pointy coif?

 

It's the easiest one to sew. That alone might count for it being popular



 

The garment round my shoulders is a 'kerchief'.  It's surprisingly practical.  I've taken to wearing it around the house on cold days. It's just a square of linen (made from an old tablecloth bought on ebay) folded into a triangle.  It's fastened with a single pin.

 


I was sure the pin would fall out, but in fact, it stays comfortably in place all day.  The garment adds warmth around the next and shoulders and never gets in the way.  I used to wear shawls a lot, but this is far more practical and also easier to wash!

 

I'm constructing a web site for the Regiment I belong to - the Norfolke Trayned Bandes - the Trained Bands usually fought in their local area, as they were notoriously reluctant (for obvious reasons) to go and fight in, say, Scotland.  They were basically a form of militia.

 

Feedback on the website, always appreciated.

watervole: (Default)
'Daughter of the Regiment' - a song dedicated to all the second generation musketeers, pikemen, cannon crew, etc. of the English Civil War Society. (If you switch on 'subtitles' then you can read the words as they are sung)


watervole: (Default)

 Two weeks ago, my daughter, Lindsey, said she'd found a living history village set in 1642 (the year the Civil War started) in Gosport.  An hour and a quarter's drive away.

WE went early, stayed late. Great place and really knowledgeable volunteers. Some of them know incredibly detailed things about every day life in that era. eg.  One lady makes soap from animal fat and lye (you extract it from wood ash).

Went again two weeks later and Lindsey, me and Oswin all joined.

I want to try their big loom!

This isn't my video, but it gives you  very good feel for the place.

 

 

 

 

 

watervole: (Default)

 I just found  a short video of the 'Battle for Wimborne'.  Also shows the evening life on the campsite at a big muster, which looks like something I'll probably enjoy too.

 

 

I'll be taking the train to my first muster. But my tent, air bed, bags, etc. are travelling north with the aid of a lady who lives quite close to me.  

She taking a trailer, because she's towing <cut>
No description available.

Just in case the photo doesn't work, it's a full size working canon!

 </cut>

watervole: (Default)

 The style and design of some items can be very conservative.


eg.  Custard powder is yellow, because it mimics the appearance of custard made with eggs.  The actual produce is white cornflower with yellow colouring and  little bit of flavouring.

Yellow is also the commonest colour of duster - I suspect it's to mimic the colour of a shammy leather. 

But have you ever wondered about the shape of a laundry basket?

If you google 'laundry basket', you'll find the commonest design by far is a rectangular or oval basket, make of plastic or wicker, with a handle at each end.

Why at the ends?  When I pick up a laundry basket, I usually balance it on my hip and hold it by the side, not the end.  It may be that some people hold it by the handles, but it's not the easiest way.

So, why handles at the ends?

I think the answer is here in Tales From the Green Valley.

If you want to see the rest of the laundry process, including the importance of fermented urine and how to make lye from wood ash, then start at 9:30, and then 12:30.

But, to return to the handles of the laundry basket. Although Ruth does pick up the basket with both hands when the contents are still dry, I think the most likely reason for the handles being on the ends, is to allow two women to carry a heavy basket of laundry to a nearby river! 

 

 

 

https://www.google.com/search?q=laundry+basket&ie=utf-8&oe=utf-8&aq=t

 

watervole: (Default)

I came across 'Tales from the Green Valley' via another member of the English Civil War Society.  It was filmed before 'The Victorian Farm' and others in that series, but essentially, it is the first of the series.

It's set just over 20 years before the English Civil War started, and at least two of the people involved were members of the ECWS. (Stuart Peachy of Stuart Press, and Ruth Goodman the social historian)

The full series is available on YouTube - https://www.youtube.com/watch?v=dRj1YYnsBGk

It's an enjoyable watch and the picture quality is better in the later episodes.

Alasdair Peachy, the little boy climbing pear trees and helping out with small jobs on occasion, is now a leading light of the Norfolk Trained Bands...

 

watervole: (Default)
Have I got the cut tag right? It's a very long time since I last used one... Re-enactors (rather like morris dancers) can sometimes end up as very skilled historians.  Their wiliness to search though vast numbers of historical records in pursuit of accurate knowledge is a boon to anyone interested in these things.

I suspect I shall end up buying a number of books from Stuart Press. They publish all their work as staple-bound A5 booklets, and they obviously work on very tight margins as they don't take card payments (though they can handle bank transfers), but the research going into them...

eg.  The cookery series encapsulates 8 years of research and experimentation by the team based on the examination of over 71,000 books published before 1660, over 20,000 will and inventories and a wide range of sources from archive papers to artefacts.

Everything is here - military, social, cooking, clothing, games, social mores, every kind of agriculture (several kinds of livestock, lots of kinds of fruit, cereal crops in vast detail, medicinal plants, aromatic plants (for strewing and in bedstraw),  the lives of agricultural workers, cutlery (no forks in this era), several volumes on different cooking vessels, fish, cheese, salads.

And more!

If anyone living overseas wants any of these (and I can think of one or two of you who might want to know how to drill your pikemen, or learn all about pocket sundials, or to know how dining with the common people differs from dining in a great house....)  I'm willing to work out a way of buying and mailing them to you if you're interested.



STUART PRESS CATALOGUE 20

Read more... )

watervole: (Default)

 I'm hoping to go to an English Civil War event at Wressle Castle in Yorkshire on 25, 26 August.

Problems:

1.  Costume.  I've just  been offered a set of women's clothes in my size by a former re-enactor.  About 20 years old, so more likely to be cotton than linen (modern day re-enactors like to be more accurate, and I'm on board with that), but it will do for now, (let's see if I enjoy this before buying a lot of linen fabric to make my own). 

I may also be able to borrow some stuff off the Norfolke Trayned Bands, who have their own stash of kit.  No sure if they'll have any shoes, but fingers crossed.  Period shoes look very comfortable

2.  Weaving. I've pretty much settled on a small tape loom.  Now I need to buy or make one....

I like the look of this one here. Fairly simple and practical.  Though, I'd probably have to do without the wonderful folding element (hover over the image to see how it folds up for transport)

3.  Transport.  There is a reasonable chance I can get a lift most of the way, but South coast to Yorkshire is a fair trek and I'm nervous of long car journeys after one triggered a nasty attack of bursitis.    If I go by rail, I may be able to see my sister Carolyn enroute, but Bank Holiday crush... And if I go by rail, I'll have to get a friend to take my tent etc.  I'm not carrying tent, sleeping bag, air bed, etc. across London!

Still working on this part of it...

 

 

 

 

watervole: (Default)

 This one is potentially the correct date, but the date can't be authenticated.  It has 1688 carved on it.

 

It's Scottish, with string heddles and is designed to stand on the floor.

More looms

Jun. 29th, 2024 07:32 am
watervole: (Default)

 Free standing rigid heddle.

The two sets of warp threads go through the holes and slits respectively. Lift the warp up to select on set, and down to select the other.

 

This illustration dates from from 1300 - 1340, is from a library in Switzerland and was made in Germany.  (Codex Manisse)
 


And here is the only actual photo I've been able to find of a real one... (It's American, but  I'm sure they would have been used elsewhere.)






The blurb says: 

Label

Tape looms were used by weavers, men or women, who held the looms between their knees as they worked. The looms produced strips of fabric called tapes roughly an inch wide, that could be ornamental or plain, and were used for everything from garters to binding. Like the carved box nearby, the tape loom is part of a group of carved seventeenth-century objects that is thought to be the product of two joiners who worked in Ipswich, Massachusetts, in the second half of the seventeenth century, William Searle (1611-1667) and Thomas Dennis (1638-1706). Dennis probably trained with Searle in Ottery St. Mary, Devonshire, England, before the two immigrated to New England.

32 1/2 x 9 3/4 x 9 1/4 (HxWxD) (inches)
watervole: (Default)

 On Friday, one of my friends told me that there was an English Civil War re-enactment battle in Wimborne over the bank holiday weekend.

Sounded right up my street.  So, on Saturday afternoon, I popped into town on the bus and watched the Royalist troops march into Wimborne and make a proclamation on the Minster Green (very nice location in the centre of Wimborne),  then listened to their leader make a speech, explaining how Wimborne would be protected by his troops from the forces of parliament -and incidentally, the people of Wimborne were expected to come forward, billet and feed the soldiers and give money to support the Royalist cause...

Fantastic ability to project his voice.  I chatted to him later and complimented him, and he said he'd trained as a singer.

 

On Sunday, I came in again.  There was a big group of 'Living History' volunteers (who came with the military re-enactors) and were willing to chat and demonstrate Tudor clothing, how it was made, what people would have eaten, what shoes they wore, etc.  Also an interesting display of what a sutler (a person - sometimes female) who sold goods to the soldiers.  And  lute player, and people doing embroidery, etc.

Thoroughly enjoyed talking to people who really had studied the period in depth -and was able to hand on a few handy tips on tablet weaving by way of exchange.

Headed for home, when that session finished. Headed for the loo before catching the bus, and on the way to the public toilets (which turned out to be closed for renovation...) I passed the Oddfellows Arms, where I heard the sound of a really good sing around.

Listened for a few minutes, then decided to catch a later bus and spend the next two hours happily singing along with the men (and women) or the Norfolke Trayned Bands (fought for parliament and Cromwell).  Best evening I can remember in a very long time.

The local folk clubs all seem to be 'sit and listen to a performer' now.  I don't want that.  I want the kind of sing-around where you're packed into a small space, everyone is singing, and it passes from singer to singer to start the next song.  I knew 90% of the folk songs they were singing, so led a couple myself.  They made me feel really welcome, so I've written a song for them, and I hope they'll like it!  

 

Monday, I watched the actual 'Battle for Wimborne' which is where the photo comes from.  Had interesting chats in the morning with people from several regiments who were incredibly knowledgeable about things like manufacturing gunpowder, rotating ranks of musket men, penetration of various weapons into armour.  Muskets basically made armour redundant, which is why most civil war regiments didn't wear it - apart from helmets.

A great weekend, so good, I'm tempted to go and see another battle and meet up with these wonderfully insane people again!

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Judith Proctor

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