Entry tags:
Morris first aid
We were dancing at Swanage Folk Festival this weekend and I had the usual use of our team first aid kit, a child with a scratched finger needing a plaster (it's hardly ever team members needing it).
However, not long after, a dancer twisted a foot mid-dance. He swapped out and tossed his stick to me and we finished the dance without missing a step. After the dance was over, I got out the emergency ice pack and a crepe bandage and applied both. By the afternoon (with the bandage re-applied) he was well enough to walk the procession, but sensible enough not to try stepping.
There are days when I'm very glad that I carry that kit around wherever we go.
(The item that I deliberately included in the kit, but hope never to have to use, is an eye pad. One has to be realistic about the risk of stick injuries when it comes to Border morris.)
Apart from having the right kit to treat the injury, the other big plus for me was that the dancer in question knew I could instantly replace him and we swapped without affecting the dance at all. I work hard to learn every position in every dance (which is not to say that I never make mistakes) and it means that I can fill in almost anywhere. Some dancers only ever learn a single position. They'll dance second in line on the left in dance A and in position 3 in dance B and so on.
I tend to visualise dances from an overhead viewpoint, so I see the overall pattern and that means I remember "First corners cross" rather than "I swap places with Henry". I've also been dancing for most of my life, so half the patterns are second nature anyway.
However, not long after, a dancer twisted a foot mid-dance. He swapped out and tossed his stick to me and we finished the dance without missing a step. After the dance was over, I got out the emergency ice pack and a crepe bandage and applied both. By the afternoon (with the bandage re-applied) he was well enough to walk the procession, but sensible enough not to try stepping.
There are days when I'm very glad that I carry that kit around wherever we go.
(The item that I deliberately included in the kit, but hope never to have to use, is an eye pad. One has to be realistic about the risk of stick injuries when it comes to Border morris.)
Apart from having the right kit to treat the injury, the other big plus for me was that the dancer in question knew I could instantly replace him and we swapped without affecting the dance at all. I work hard to learn every position in every dance (which is not to say that I never make mistakes) and it means that I can fill in almost anywhere. Some dancers only ever learn a single position. They'll dance second in line on the left in dance A and in position 3 in dance B and so on.
I tend to visualise dances from an overhead viewpoint, so I see the overall pattern and that means I remember "First corners cross" rather than "I swap places with Henry". I've also been dancing for most of my life, so half the patterns are second nature anyway.

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The rule is that the person currently in the middle is the one who knows where they are going.
The middle starts from cold with a right shoulder pass.
The person at the end sees the middle coming towards with a right shoulder and goes along with this and they swap places.
The previous end person is now in the middle. They've just done a right shoulder pass, so they now do the opposite.
The person at the far end sees the middle coming towards with a left shoulder and goes along with this.
This creates a new middle person who changes to the other shoulder with the other end and the other end goes along with the middle's choice of shoulder.
Repeat until bored....
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Just following the lead of the person coming at you from the middle gives an easy rule to follow.
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http://www.bbc.co.uk/programmes/p05fz4bs