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Longsword dancing and tempo
I've just had a longsword group add me to their circle on google+, which is rather nice.
I went to look at Ring of Cold Steel's dancing and found them performing the Ampleforth sword dance (a traditional longsword dance). I'm glad I did as this dance has a 'third man under' figure which finally allowed me to know how the figure should be done. Anonymous are learning the Helmsley II dance from Allsop's book and the notation for the 'third man under' figure in that dance simply does not work. But his notation for the Ampleforth dance matches what Ring of Cold Steel were dancing, so I can use the Ampleforth notation for Helmsley. (Seeing the move, I thought it looked like a likely candidate for a 'third man under' (the third dancer to go under the sword turns in a different direction to the others, so I went and checked the book) See if you can spot which move I was looking at...
However, they do share a problem that I've noticed with many longsword sides, especially in America. They dance far too slowly. You can see the audience aren't really engaged in what they're doing.
Compare with this dance by North British Sword.
Older dancers, but the dance has far more energy and although the square is fairly empty, you can see passers by stopping to watch.
The problem stems from the fact that the dances were originally recorded from old dancers. Sharp's notes often say 'at least as fast as', and that had often been taken as 'do at this speed' rather than 'this is the minimum speed.
I think there may be a case for varying the tempo at time as some move show clearer at a slower tempo, but the dance overall is far more fun for both dancers and audience when done fast.
I went to look at Ring of Cold Steel's dancing and found them performing the Ampleforth sword dance (a traditional longsword dance). I'm glad I did as this dance has a 'third man under' figure which finally allowed me to know how the figure should be done. Anonymous are learning the Helmsley II dance from Allsop's book and the notation for the 'third man under' figure in that dance simply does not work. But his notation for the Ampleforth dance matches what Ring of Cold Steel were dancing, so I can use the Ampleforth notation for Helmsley. (Seeing the move, I thought it looked like a likely candidate for a 'third man under' (the third dancer to go under the sword turns in a different direction to the others, so I went and checked the book) See if you can spot which move I was looking at...
However, they do share a problem that I've noticed with many longsword sides, especially in America. They dance far too slowly. You can see the audience aren't really engaged in what they're doing.
Compare with this dance by North British Sword.
Older dancers, but the dance has far more energy and although the square is fairly empty, you can see passers by stopping to watch.
The problem stems from the fact that the dances were originally recorded from old dancers. Sharp's notes often say 'at least as fast as', and that had often been taken as 'do at this speed' rather than 'this is the minimum speed.
I think there may be a case for varying the tempo at time as some move show clearer at a slower tempo, but the dance overall is far more fun for both dancers and audience when done fast.
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Here are the two Chen style Sword forms:-
http://www.youtube.com/watch?v=L_E4Zi1aPj4
Philippa
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I hope we will seen the Anonymous preformance.
Well, I am always deeply impressed with your talent both as a teacher and a musician and much more!!!!