Rendezvous With Rama
I'd almost forgotten what 'hard' SF was really like until I read Rendezvous with Rama. It was wonderful to have a story where physics is integral to everything, where speed of light limitations are woven into the story, where the alien artefact has a design that takes physics into account (I'm still pleased that I managed to predict one minor plot element by recalling one of the physical properties of water.)
And how can I fail to love a story that actually takes Coriolis force into account?
The strong grounding in reality makes the whole story feel so much more real. You believe in the characters and in the dangers they encounter, because you know that no 'magic' will be used to rescue them if they get into a tight corner.
Another good point about the focus on hard science is that the book hasn't dated. There were only two small moments when I realise how long ago the book was written. One was when the shape of Rama was compared to a domestic boiler, and the other was a reference to the steady state theory. Apart from those two minor points, the book could have been written yesterday. The laws of physics don't change with fashion.
Clarke can't write in depth characters, but they work reasonably well in this book, and the setting of Rama itself makes the story live.
This was a 9/10 book for me and I'd happily recommend it to anyone.
And how can I fail to love a story that actually takes Coriolis force into account?
The strong grounding in reality makes the whole story feel so much more real. You believe in the characters and in the dangers they encounter, because you know that no 'magic' will be used to rescue them if they get into a tight corner.
Another good point about the focus on hard science is that the book hasn't dated. There were only two small moments when I realise how long ago the book was written. One was when the shape of Rama was compared to a domestic boiler, and the other was a reference to the steady state theory. Apart from those two minor points, the book could have been written yesterday. The laws of physics don't change with fashion.
Clarke can't write in depth characters, but they work reasonably well in this book, and the setting of Rama itself makes the story live.
This was a 9/10 book for me and I'd happily recommend it to anyone.
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Though there is nothing wrong, in context, with the characterisation in A Fall of Moondust or The Sands of Mars - simply as much as are needed for a disaster novel and an exploration novel.
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I first read this book many years ago, and yet working along my shelves I failed to recognise it as familiar. I realised why as I started to read it again. It was loaded with scenes that had stayed in my memory - the boy hearing the sound of the Titanian wind and storing it for later play; the two historians conversing in slave lingo; the pentaminos, the disastrous effects of using an emotion enhancer;Duncan's first sight of a butterfly. All these came vividly back to me as I encountered them again - but none had I remembered as being from this novel.
Why?
Because it has almost no plot. It's a sequence of events designed to show the way in which fuel could be cheaply produced from Titan's atmosphere to power transport within the solar system. It's good science (though I don't know if it matches current knowledge or not) but it makes for wonderful scenes that don't relate directly to the story.
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What I'd also recommend is *avoiding* Rama II, Garden of Rama or Rama Revealed all of which were written with (by!) Gentry Lee with input from Clarke, but the writing style is terrible in comparison and certainly Rama II is virtually unreadable.
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A lot of early sf was about people grappling with the nature of the universe, and so in a way the nature of the universe becomes an essential element of the story. Later sf is more likely to have rich plot and characters who are people, but often the characters don't engage with the actual universe so much as with other characters, so the universe sometimes dwindles into the scenery in which the story is set, rather than being an essential element of it.
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And, as I read SF primarily for the ideas (though, being mean, I still demand a modicum of style and characterisation) it's why I still prefer a lot of early SF, particularly short fiction.
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I learned that Clarke actually invented a stacionary satelite and his gravitation lift from "Fountains of Paradise" is a matter of serious reserarch.
However if you read most of his other books, you discover certain...stereotype? I may be wrong, I overdosed myself by reading Clarke then and since I haven“t opened his book:-)
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Or are you thinking of tropes?
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